Since a film could be truly rancid and horrible, barely even functional as a piece of entertainment, and still be better than Space Jam, it is perhaps the case that Back in Action doesn't really deserve all that much credit for managing this feat. Alec Sokolow and Joel Cohen, who adapted the comic Garfield into a similar-style live-action/animated Family film, would write the script for I do not know that any movie ever made has had a lower bar to clear than Looney Tunes: Back in Action had to clear when it opened in November, 2003: as long as it was better than 1996's Space Jam, the film could be plausibly described as a success. Pictures announced that they were planning a live-action/animated combo feature film based on the Looney Tunes character, set to be released sometime in 2014.
Watch Looney Tunes Back In Action Series Came To2003 PG Children Comedy Fantasy. How to watch on Roku Looney Tunes: Back in Action. Has periodically tried to do something to keep the characters alive and marketable, usually to fairly dispiriting ends Back in Action , which drops the animated characters into a live-action spy thriller that's mostly about poking fun at the film industry, is one of the very few attempts that is entirely worth watching and successful much more often than not.You can buy Looney Tunes: Back in Action on Apple iTunes, Google Play Movies, Vudu, Amazon Video, Microsoft Store, YouTube, Redbox, DIRECTV as download or.Looney Tunes: Back in Action. Ever since the Looney Tunes/Merrie Melodies series came to their functional end in 1969 (or 1963, if you are a purist), Warner Bros.Fortunately, the Warner people were being, for that moment in time, not even a little bit sensible, and so Dante got to fulfill what really was the destiny of his entire career, working with the wild absurdist animated slapstick of Bugs Bunny and Daffy Duck (both of them voiced here by Joe Alaskey, whose Bugs is excellent and whose Daffy gets the job done) and the rest that had informed so very many of his live-action features. Back in Action cost a reported $80 million, which is a lot of money but maybe not an indefensible lot of money, given that Space Jam grossed around three times that much worldwide on the same reported budget it ended up taking in less than $70 million, which means that it actually managed to lose more than Dante's 1990 Gremlins 2: The New Batch, his last film with Warners, which had already lost the kind of money that would make a sensible studio executive probably want to avoid ever working with Dante again. And one of the people who held that opinion was director Joe Dante, whose time as a significant Hollywood filmmaker effectively comes to an end here, having pretty much run out of financially successful movies in the 1980s, and coasted largely on fading goodwill for the decade to follow. Brendan Fraser, Jenna Elfman, Steve Martin Directed by: Joe Dante.Which is to say: it isn't completely successful.![]()
![]() Watch Looney Tunes Back In Action Movie Ever MadeBut he went for it, bless him.My lord, that's a whole lot of pissing on a movie that I genuinely love. Coyote crashing into obstacles, is also the smallest and most subdued, though only in this context would Martin's exaggerated rubber-faced reaction shots count as "subdued". The single best part of Martin's entire performance, wincing offscreen as he hears Wile E. It is a lot of acting, and good for him I am tempted to say it never works. Tasked with playing a live-action cartoon, Martin holds nothing back whatsoever, flinging his body around like a ragdoll (indeed, one of the running gags is that his movements tend to make him almost, but not quite, fall over backawards), swallowing his lips, disappearing into his incredibly awful wig and giant glasses, and delivering every line with a bellowing melodramatic purr. Such as Steve Martin's performance as the villain, chairman of the ACME Company, who is trying to find a magical monkey statue that can turn all of humanity into monkeys, so he can have them manufacture an infinite number of shoddy goods at the ACME factory, whereupon he will turn them back into humans, and sell them the shoddy goods he has thus stockpiled. Watch Looney Tunes Back In Action Full Of WordplayBut even in more generic locations - the Warner studio office, a movie star's mansion in Hollywood - there's a sense of exaggerated movie-movie bigness in the giant imposing glass walls of the office, or the trapped-in-the-1920s lines and furniture in the mansion.And then there's the verbal humor, full of wordplay and deadpan metajokes the whole plot, once you shake out the Bondian supervillain part, is basically about how dumb Warner Bros. Or, at least, this movie knows better what to do with her) it's a jam-packed room full of all the B-movie references a legendary B-movie nerd like Dante can cram into one space, with a Triffid and a Metaluna mutant and a Dalek and God knows what all shoving their way into one generously busy widescreen frame. The most inspired of this is Area 52, overseen by the pleasant mad scientist Mother (Joan Cusack, whose twitchy cartoon energy works in all the ways that Martin's, for whatever reason, doesn't it's reminiscent of what she did in Toys, only better. Back in Action is a thunderously elaborate movie, an endless line of ludicrously overdesigned spaces full of visual gags. Dante's main job as a filmmaker has been to clear the way for lots of very elaborate silliness to spin out, verbally and visually, at extraordinary cost to Warner Bros. Wbfs for mac os xNone of this feels like it rises up to the level of satire, really, nor any serious attempt to bite at Warners it's more just the same jolly absurd nonsense as all the rest of the jokes, a 21st Century freshening-up of the old Tex Avery "I do this to him through the whole picture" kind of self-referential gag where everybody onscreen knows that it's a movie made for crassly commercial reasons, but since we all know that, we can still go about the business of having fun and not pretending like we're dealing with anything to be taken seriously. The film's antihero, who turns eventually into a co-protagonist, is a development executive played by Jenna Elfman, committing hard to being as plastic and unamusing as possible until that turn happens.
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